Mala Fe

Mala Fe

Javier Gutiérrez, better known as Mala Fe, was born in Puerto Plata, Dominican Republic. In love with music from a young age, Gutiérrez began his daily practice routine of congas and voice at the age of eight. He worked faithfully on his craft, dreaming of the day when he might join his brotherís band, La Tropa, a group that specialized in perico ripiao, the folkloric precursor to modern-day merengue. GutiÈrrez soon joined up as one of the groupís percussionists, who were known for their complex rhythmic breaks. His familiarity with the complex and idiomatic style offered GutiÈrrez many advantages, and he relocated Santo Domingo when he was 16, planning to begin his professional career. Already an excellent conguero, it wasnít difficult for GutiÈrrez to obtain work with merengue groups in the capital city. His professional debut came a short time later with La Banda Salvaje, and shortly thereafter, Grupo Bongo, with whom he was given his firsttaste of international touring.  It was also during this time that GutiÈrrez branched out and began to learn piano, composition, and various vocal styles. His solo debut album under the moniker Mala Fe was released in 2000. Con Su Loquera (Sony International) hit the charts, peaking at number five on Billboardís Latin/salsa charts. Mala Fe shifted in 2001 to the powerful New York-based J&N Records, a leader in merengue and tropical music records. Mala Fe soon established himself as a hero among the New York gay community with his vivacious stage performances and his daring cover of ìPluma Pluma Gay. The bold album cover of his 2006 release, Me Liberé, garnered much attention, establishing him as one of few artists unencumbered by a sexually conservative genre. Evan C. Gutierrez, All Music Guide
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The Magic Juan

The Magic Juan

At the age of ten he joined the school choir and started taking piano, guitar, and drum lessons outside of school. His parents were skeptical about whether or not he would stick with music, but after Juan had won some talent contests they were sure he was serious. To keep him off the streets, his parents bought him some recording equipment. Juan would spend his days after school writing songs, rapping, recording, and sampling. After high school he played with the idea of studying marketing, but an offer to join Proyecto Uno, a merengue band with heavy urban and hip-hop influences, he decided not to attend college in favor for pursuing his interest in music. His bilingual rapping was featured on the cut «Brinca,» a single that went to number one in over eight countries in Latin America. Proyecto Uno went on to sell over three million albums worldwide. Juan soon desired to record his own solo material. In 2003, he released his solo debut, La Prueba, and became the New York correspondent for Telemundo’s Latin hip-hop show, The Roof. In 2004, he released Libertad: The Magic Juan Mix and the double CD, Inevitable.[2] On June 9, 2009, Magic released his third studio album as a solo artist, The Sure Bet, containing a wide variety of musical influences including hip hop, reggae, bachata, salsa, and merengue.[3] The album’s first single was «Baby Come Back».
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Luis Vargas

Luis Vargas

Dominican singer/guitarist Luis Vargas (born Luis Rafael Valdez Vargas) became involved in popular music after meeting a local musician who taught him how to play guitar. After deciding to pursue a solo career, Luis Vargas self-produced his first single, promoted and sold by himself. Supported by local artists Pedro Pimentel, Artemio S·nchez, Antonio Carrasco, and Anthony Santos, his music began being played by local radio stations. After issuing his music through an independent label called JosÈ Luis Records, Sony International signed him in 1996, releasing Volvio el Dolor in 1997. Luis Vargas is one of the Dominican Republic’s most popular bachata musicians. When he began in the early 1990s, Antony Santos, considered by some to be one of the most influential bachata musicians of all time, was his g¸ira player. Vargas, who sings and plays his own lead guitar, was one of the first to play bachata with the electric guitar – an innovation which contributed to greatly expanding bachata’s popularity. He has spent increased amounts of time in the US in recent years, being one of the most active live bachata acts in the last several years. Eventually, Luis Vargas did make a comeback. Most Dominicans never lost faith in his return and he is just as popular now as he ever was. His record label, however, has changed his image from a humble bachata singer to a more urban Reggaeton style. Antony Santos and Luis Vargas have also been known for many rivalries over the internet and on stage, though in recent years, they seem to have buried the hatchet. He has a sister that lives in Lawrence, Massachusetts.
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Linda Viera

Linda Viera

Linda Viera Caballero (born March 9, 1969), better known as India and La Princesa de la Salsa («The Princess of Salsa»), is a singer-songwriter of salsa and house music. She has been nominated for both Grammy and Latin Grammy awards. Early life Caballero was born in Rio Piedras, Puerto Rico. Her parents moved to New York City soon after her birth, and settled down in the South Bronx area of the city. They moved in with Caballero’s grandmother, a woman who served as an important influence on Caballero’s life. Her stage name, India, was given to Caballero by her grandmother because of her dark features and long straight black hair.[1] In 1985, when Caballero was 14 years old, she was a founding member of the Latin freestyle group TKA and was featured on the cover of TKA’s second single, «Come Get My Love». She left shortly thereafter.[2] Caballero signed a record contract with Reprise/Warner Bros. Records, which planned on marketing her as the Latin version of Madonna (who recorded for sister label Sire Records). After recording the album Breaking Night, Caballero decided that she didn’t want to take that route in her career.[1][2] First salsa album An important event took place when she accompanied her husband to a studio recording. Salsa band leader Eddie Palmieri happened to visit the studio and was impressed with Caballero when he heard her singing… In 1992, Palmieri produced Caballero’s first Spanish-language salsa album Llego la India via Eddie Palmieri (The India has Arrived via Eddie Palmieri), which was acclaimed as one of the best salsa albums of the year. From then on Caballero became known to all as India.[2] India received a Lo Nuestro Award nomination in 1993 for Best Female Performer, Tropical/Salsa.[3] In 1994, India together with Louie Vega recorded a house-music single «Love and Happiness» (Yemaya y Och˙n) that paid tribute to SanterÌa (a syncretic religion based in the Caribbean). This up-beat house track was played heavily in dance clubs internationally. India’s involvement with SanterÌa drew much criticism. She later recorded Dicen Que Soy (They Say that I Am) which was a 2x gold-certified Billboard hit and included the song «Vivir Lo Nuestro», a duet with Marc Anthony. Later this same year CombinaciÛn Perfecta. was released.[1] India, the Princess of Salsa – External audio You may listen to India sing «Seduceme» here. In 1996, India worked with Tito Puente on Jazzin, an English-language album of swing classics with a Latin twist on RMM Records. That same year she contributed the song «Banderas» to the album entitled Voces Unidas (United Voices), a multi-artist tribute to the 1996 Summer Olympics. She also released India: Mega Mix that same year before divorcing Vega. India sang a duet titled «La Voz de la Experiencia» (The Voice of Experience) with Celia Cruz, the late Queen of Salsa. It was then that Cruz gave Caballero her longer name: India the Princess of Salsa. In 1997, India recorded «Sobre el Fuego» (Over the Fire) with Puerto Rican salsa singer Kevin Ceballo as backup. The song was nominated for Best Latin Tropical Performance Grammy Award. In 1998, she won an ACE Award.[2] On May 31, 1998, India gave two sold-out concerts at the Luis A. Ferre Performing Arts Center in San Juan, Puerto Rico. She returned to the United States and Cable Channel UPN aired one of her shows. India also held concerts in New York’s Madison Square Garden and in El Festival de la Calle Ocho in Miami, Florida. In September 1999, India released her album Sola, which earned her great reviews for the single «Sola» and for covers of two hits by the late Cuban sensation La Lupe «Que Te Pedi» and «Si Vuelves Tu.»[1] On February 5, 2000, a full-page ad in Billboard Magazine congratulated India for her second Grammy Award nomination. In March 2000, she was featured in Vibe Magazine. In 2003, India released Latin Songbird: Mi Alma y CorazÛn. The album’s lead single «Sed˙ceme» became a hit on the Latin charts and topped the U.S. Billboard Hot Latin Tracks for several weeks. This romantic salsa hit single was India’s first number-one song. The song brought her a new fan base with many awards and nominations, including two Latin Grammy nominations for Best Salsa Album and Best Tropical Song in 2003, and her third Grammy Award nomination for Best Salsa Album in 2004.[4] In 2005, India participated in the musical presentation Selena °VIVE!, a tribute to the late Tejano sensation Selena Quintanilla-Perez. In 2006, India released the album Soy Diferente, which contained two songs that became award-winning hits. The 2007 Annual Latin Billboard Awards honored India with Best Tropical Album of the Year Female for «Soy Diferente» (I Am Different), and Latin Dance Club Play Track of the Year for «Solamente Una Noche» (Just For One Night). In 2007, India collaborated with Latin sensation Gloria Estefan in a duet titled «90 Millas.»[4] On June 11, 2006, India was honored by Union City, New Jersey, with a star on the Walk of Fame at Union City’s Celia Cruz Park.[5] India is set to release her ninth studio album in 2010, which will propel her music to various European and Asian countries. India mentioned to the Associated Press, «I am reinventing myself…changing my physical image. India will return to become a Barbie. But more than that, I feel like a new woman because I have been blessed with many beautiful things. After many years, I have my family with me and I am not separated from my mother, in which I suffered greatly. I have her in my life and that brings inner peace that I haven’t had in a long time.» On February 23, 2010, India’s hit single «Estupida» was released on iTunes. The single, cover of the Italian version «Stupida» by Alessandra Amoroso of 2009, was recorded in two versions, a salsa version and a ballad version. Videos were filmed for both versions of the song. «Estupida» peaked on the tropical billboards at number one, making India the female with the most number one hits on the tropical charts. India’s ninth studio album, Unica, was released June 1, 2010. In 2011 India continued to release new music. India released a duet with Issac Delgado titled, «Que no se te olvide» which has four different versions, one salsa, another an extended salsa mix, one a bachata version, and another a New York Pop version. In 2011, India released a new house track titled, «Tacalacateo» which she worked on with Italian DJ, Peppe Citarella. Tacalacateo peaked at #13 on the Billboards dance tracks. In 2012, India recorded as part of UNITY : The Latin Tribute to Michael Jackson,a project produced by arranger Tony Succar; in which India rendered her voice for one of the songs among other all-star Latin artists such as Tito Nieves and Kevin Ceballo. In 2014, India once again signed with the record label Top Stop Music, also joining the Salsa Giants project with Sergio George. India is set to release her tenth studio album with Top Stop Music.
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George Lamond

George Lamond

George Lamond (born George Garcia, 2 February 25, 1967, Washington, D.C., USA), sometimes styled George LaMond, is an American freestyle music and salsa music singer. LaMond has released 7 albums (5 via Sony Music) between 1989-2014. Best known for his 1989 #25 Billboard debut, ìBad of the Heart,î to his #1 Salsa smash, ìQue Te Vasî (which spawned an RIAA-certified Gold album) to his more recent (2008) top 5 radio hit, ìDonít Stop Believing,î Georgeís name is no stranger to the music world. Dedicated fans often refer to him as the ìKing of ëFreestyleí,î a genre he helped define between 1988-1993. On October 24, 2014, George LaMond showcases a 25th Anniversary concert experience, backed by a 12-piece band. Not only will LaMond perform select music from his illustrious career, but heíll also debut new material for fans from his forthcoming album slated for early 2015. Lamond was born as George Garcia in Georgetown, Washington, D.C., but moved to his parent’s native Puerto Rico at age 2. He remained in Puerto Rico until the age of 7, at which point the family (which included eight other siblings) returned to the contiguous U.S., settling in the Bronx, New York City, where he primarily grew up.[1] George burst on the scene in 1989 when his debut single ìBad of the Heartî was released on indie label, Ligosa Records. ëFreestyle,í as the song was quickly labeled, was a subgenre of dance/pop music whose origins go back to the early 80s in the Latino communities of NYC. By the mid-to-late 80s, ëFreestyleí would cross over to non-Latinos with support by Anglo radio stations across the U.S. with artists such as Shannon, Expose, Lisa Lisa, The Cover Girls, and Stevie B. The sales buzz of the single,ìBad of the Heartî and Georgeís signature vocals quickly caught the attention of Columbia Records/Sony Music, and George was signed to a major recording deal. His debut album, ìBad of the Heart,î would peak at #25 on the Billboard Hot 100 but included a string of successful singles including ìWithout You,î ìLook Into My Eyesî and ìNo Matter What,î a duet with Brenda K Starr which reached the Top 50 of Billboard. LaMond even enjoyed an opening slot on the North American leg of the ëNew Kids On The Blockí tour, playing stadiums throughout the U.S. In 1992, ìIn My Life,î Georgeís sophomore album was released, bolstered by the lead single, ìWhere Does That Leave Love,î which quickly charted high, again. The album contained a solid mix of freestyle and pop along with a couple ballads, all intended to further build his name within mainstream music. But national pop radio, at the time, was going thru a seismic shift, with a heavy R&B influence. By the time the albumís third and final single, ìI Want You Backî was released (Spring, 1993), a soaring remake of the Jackson 5 classic, with backing vocals by a then-relatively unknown Marc Anthony, George would subsequently be dropped from Columbia Records. Ironically, in that same year, George released his third album (though his first Spanish-language album), «Creo En Ti» via Sony Discos, spawning two Top 15 Billboard Latin Singles, ìBaby, Creo En Tiî and ìNo Morira (featuring Lisa Lopez).î But, label support at Sony Discos ceased once Columbia Records ended his contract. Endless touring continued well into the late 90s. Then, in 1999, while high-profile Latin music stars such as Ricky Martin and Marc Anthony engineered successful crossovers to the mainstream Anglo world, Lamond did just the opposite by returning to his roots to record Salsa music in Spanish and struck goldÖRIAA-certified sales gold that is, with his 4th album, ìEntregaî (Prestigio/Sony Discos). The album was bolstered by the smash lead single, ìQue Te Vasî, which peaked at #23 on Billboard’s Hot Latin Songs chart and #6 on Billboard’s Latin Tropical/Salsa Airplay chart. Also in 1999, ìThe Hits and More,î LaMondís 5th album was released on Robbins Entertainment containing a collection of his former Anglo hits along with new material, entirely created for his loyal Freestyle fan base. The album included a special appearance by K7 as well as famed Freestyle producer, Carlos ìAfter Darkî Berrios, along with Georgeís long-time producer, Chris Barbosa. If that wasnít enough, George was approached by mega Platinum producer, Robert Clivilles (of C&C Music Factory fame), in late 1999, to be a part of a male group project for Sony Music Japan. Always wanting to be a part of a group, George jumped at the chance. Over the next 6 months, ëUrban Societyí, as the group would later be named, recorded a full-length album with Georgeís signature vocals throughout the album. It was the first time George ever recorded a completely pop album. Due to contract issues with Sony Japan, the albumís Asian release was delayed several times and the album was, unfortunately, shelved. Though disappointed, George said the recording was an incredible experience. In 2001, George released his sixth album, «GL,» his sophomore Salsa album, which reached #15 on Billboard’s Tropical/Salsa Albums chart. The first single, «Jurare Quererte,» peaked at #20 on Billboard’s Latin Tropical\Salsa Airplay chart. The follow-up single, «Volver Amar» peaked at #35 on Billboard’s Latin Tropical\Salsa Airplay chart. But, the tragic events of 9-11 stifled LaMondís Salsa momentum, as it did to the entire music industry and countless others. Mid 2000s As the Latin music business, in particular, began to recover in the mid-2000s, largely due to the rise of Reggaeton, LaMond released his 7th studio album, ìOye Mi Canto,î in 2006, on Sony International. Though the Reggaeton-influenced album never achieved commercial success, it kept George relevant and maintained engagement with his fan base. And, it was because of his loyal fan base that Georgeís touring never ceased. A simple search of ëGeorge LaMondí on YouTube will serve up countless video clips from fans whoíve attended his shows. In 2008, after a hiatus from recording, a producer-friend, Giuseppe D, presented George with an ideaÖto release a dance-pop cover of Journeyís mega hit, ìDonít Stop Believing.î George was emphatically against the idea to touch such a classic record. But, ëPepí ensured him the final production would do justiceÖand he was right. Released on Robbins Entertainment, LaMondís cover reached #1 on New Yorkës famed 103.5 KTU radio. The release also found success on other U.S. radio stations, especially in the Northeast and Canada. In fact, WKTU presented George with a Lifetime Achievement Award in 2009! Georgeís dedicated fan base kept him touring. Yet, finding the right new songs proved challenging, especially as EDM (Electronic Dance Music) began to make its way to mainstream Anglo radio and Bachata music began to find reception at Latin radio, all of which reflected a younger generation. George was caught in a conundrum as he was against recording music that was not reflective of whom he is as an artist. Recent times As 2014 approached, George was presented an idea by a close friend and long-time music advisor about crafting a 25th Anniversary show with a live band. George loved the idea! The detailed planning began immediately and, now, almost a year later, the show is about to happen. The marquee lights will be shining on October 24, 2014 at Resorts World Casino NYC. Not only will George be joined by a few well-known artists/friends, along with some surprises, but heíll also debut new English and Salsa material from a forthcoming album slated for early 2015. In Georgeís own words, ìIím fortunate to have been supported by so many in the music industry throughout my careerÖradio, retail, media, promoters, booking agents, and record label personnel as well as my artistic peers. But, I am most honored and humbled at the unwavering support of my fans for all these years.» Personal life When not touring and performing, Lamond enjoys his home life, currently living in Staten Island with his three sons.
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Fulanito

Fulanito

Fulanito was formed in 1996 by lead singer / producer Rafael ‘Dose’ Vargas and producer Winston ‘Win’ Rosa with the idea of exploiting their blended talents into the Latin market. Vargas grew up in the Washington Heights neighborhood in Manhattan, New York, and Winston grew up in the South Bronx. They met in 1992 during a studio session where Winston was working as a recording engineer on one of Rafaelís earlier projects. Their first album, ìEl Hombre Mas Famoso De La Tierraî gained international fame with the hit singles ìGuallandoî, ìEl Cepilloî and ìLa Novela,. The album sold over 500,000 units worldwide. They further gained international notoriety with their second album, ìEl Padrinoî which garnered them their first Grammy nomination. Their third album, ìAmericanizaoî (2001) would be the last production both Vargas and Rosa would work on together.
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Pochy y Su Cocoband

Pochy y Su Cocoband

Pochy y Su Cocoband, also called Cocoband, was a leading Dominican Republic merengue group in the 1990s. The group was founded in 1987 by Alfonso «Pochy» V·squez, and had a number of hit albums with the Kubaney label:[1] Group members in the early years included Kinito MÈndez Bobby Rafael, Elvis Class & Silvio Sosa. Each of whom went on to a career of their own. Hit songs by the group include «La Faldita», «Chupo Yo, Chupa T˙», «El Hombre Llego Parao», «Salsa Con Coco». The phrase «°Pero Con Coco!» (But With Coco!) was a favorite refrain in several songs.
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Brenda K. Starr

Brenda K. Starr

Born Brenda Kaplan; 1 October 15, 1966, is an American singer and songwriter. She is well known originally in dance-pop, but now mostly in salsa-based music. She is also well known for her 1980s work with freestyle music. Starr was born as Brenda Kaplan to a Jewish American father, organist Harvey Kaplan (also known as Harvey Kaye of the 1960s band the Spiral Starecase) and a Puerto Rican Roman Catholic mother.[1][2] In the early 1980s, through a chance meeting with Harry Belafonte, Starr landed a role in his 1984 hip hop film, Beat Street. Starr’s appearance in the movie garnered attention, leading to a recording contract on Mirage Records, through Arthur Baker, who enlisted the help of two production teams to complete the album: Lotti Golden & Richard Scher, and Carl Sturken & Evan Rogers. The lead single, from (I Want Your Love) Starr’s debut album, «Pickin’ Up Pieces» written by Arthur Baker and Lotti Golden was a local club sensation and national hit, peaking at No. 9 on the Billboard Hot Dance Club Play Charts and on the Maxi Single’s Chart. «Pickin’ Up Pieces» also cracked the R&B Hip Hop Billboard Charts. By the late 80’s Brenda was the undisputed queen of freestyle and House music.[3] Starr’s eponymous sophomore LP, released in 1987 on MCA, included, what is considered her signature song, the power ballad «I Still Believe», which peaked at No. 13 on the U.S. Billboard Hot 100, becoming Starr’s first and only top 20 single on the Hot 100. In 1998, Mariah Carey covered the song, which peaked at No. 4 on the Billboard Hot 100 and was certified platinum by the RIAA. The album also contained the club/dance smash «What You See is What You Get». The album peaked at No. 58 on the Billboard 200 albums chart. Starr has had two top 40 hits on the Billboard Hot 100: «I Still Believe» (which peaked at #13) and «What You See is What You Get» (which peaked at No. 24 and at No. 6 on the Hot Dance Music/Club Play. Her song «Sweet Surrender» was included in the soundtrack for the 1988 teen film License to Drive starring Corey Haim. Her Song «Sata» was on the soundtrack for the 1990 film Lambada. During the late 1980s, Mariah Carey sang background vocals for Starr, and Starr helped Carey secure a recording contract by giving a demo tape of hers to Columbia Records executive Tommy Mottola at a party. By 1991, Mariah Carey had become Sony/Columbia’s star attraction, which caused Starr’s career to shrink in terms of commercial success.[citation needed] After being dropped from Sony/Columbia Records for lackluster sales of her second album, By Heart, Starr worked odd jobs to support herself and her family for several years, including one at a shopping mall in New Jersey. Starr learned Spanish to help rejuvenate her career, successfully reinventing herself as a Salsa/Tropical and Latin Pop artist. After the release of her cover of Herida (from the Chilean singer Myriam Hern·ndez), which peaked at No. 16 on the Latin Pop Airplay and at No. 1 on the Latin Tropical/Salsa Airplay chart, she was on top again. Starr continued her success with a string of popular albums and chart hits. Brenda was also a disc jockey at MIX 102.7, WNEW-FM, where she presented a request program «Under the Stars», from 9 p.m. to midnight on Sunday nights before it changed formats. It appeared to have helped her music career since her concerts have begun to sell even stronger than before. The lead single from her seventh album, Atrevete a Olvidarme, titled, «Tu Eres» earned her a nomination by the Billboard Latin Music Awards in 2006.
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Bachata Heightz

Bachata Heightz

Bachata Heightz is an urban-influenced bachata group from New York whose debut single, «Me Puedo Matar,» was a big hit on the tropical charts in 2009. Founded in the Washington Heights neighborhood of Manhattan, NY, the group is comprised of Jerry GarcÌa (aka Jay Heightz; lead vocals), Jeffrey Cruz (aka Jru; chorus vocals), Aneudy Hernandez (aka Chino; chorus vocals), Jonathan GarcÌa (aka Da Phenomenon; guitar), and Diego Capell·n (aka Dee Major; bass), all of whom are of Dominican heritage. Citing influences that include hip-hop and R&B as well as tropical music, Bachata Heightz made their commercial recording debut in 2009 with «Me Puedo Matar,» a collaboration with Domincan superstar HÈctor Acosta. Originally released on Acosta’s album Simplemente… El Torito (2009), the song was a big hit on the tropical charts, reaching the Top Five of the Billboard Latin Tropical Airplay chart. In the wake of the song’s success, Bachata Heightz signed a recording contract with Sony Music and made their full-length album debut with The First (2009). Comprised of material written primarily by GarcÌa, the album spawned the minor hit «Te Busco» as the follow-up single to «Me Puedo Matar.»
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Amarfis

Amarfis

Amarfis was born in Sabana Grande de Boya, a town in the Dominican Republic. His preference for music was demonstrated from an early age as family members describe his childish creations of music with pots and pans as a toddler. One family member in particular, uncle Viro Mejia, also a musician who focused on the guitar, helped Amarfis set a course towards music. Aquino left his native island and moved to New York where he studied music, namely composition and arrangement, at City College. His work on many tropical music groups eventually led to his discovery by label Sonolux, a subsidiary of Sony Music. After being discovered, Amarfis set up his own band, dubbed Amarfis & la Banda de Attake. Together they generated such hits as «Los Grilleros» among others, which later showed up in many Latin American countries as well as the U.S. and Europe. Eventually his name and music became household names and in 2005 he appeared on Billboard’s Latin Tropical Airplay. He later on was able to collaborate with renowned Latin-genre artists such as Los Tigres del Norte, Limite, and Juanes.
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